Archive for August, 2009

Paper Mache/PVC Didgeridoo

August 31st, 2009
Painted Didgeridoo

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This handmade didgeridoo (didge, for short) was made with a 4′ section of 1 1/2″ ABS plastic plumbing pipe, covered with paper mache and then painted. I finished mine in one day.

You buy the pipe at the hardware or plumbing store in standard 10′ lengths, so you will have enough material for two didgeridoos.

Since you have enough material for two instruments, you might want to check out this website, which gives you the math you need for another pitch. Who knows – maybe you could start your own didge band.

(Did you know that blowing a didge has been shown to help people who suffer from sleep apnea? Probably because you strengthen muscles inside your throat that you don’t normally use. )

Painting the Paper Mache

Painting the Paper Mache

A traditional didge has a mouthpiece made from bee’s wax. I didn’t want to bother with that – it sounded kind of messy. Instead, I used another item from the plumbing store, a rubber pipe connector. And this one item will give you enough material for two mouthpieces.

You can buy both the 10′  piece of ABS pipe and the rubber connector for less than $10.00, and for this amount you get two didgeridoos. Pretty nice, eh?

So, let’s get down to it.

Cutting the pipe.

First, cut your ABS 1 1/2″ pipe 4′ long, using a saw.

Next, use some sandpaper to smooth the rough edges that the saw made on the ends. Use a mask when you sand – you don’t want plastic dust in your lungs.

Now you need to find a way to hold the pipe up off your table so you can add paper mache. I found that it worked really well to place the pipe over the end of my garden rake. Then the pipe will stand up without falling over.

The cardboard from inside a used-up roll of masking tape was placed over the rake handle first, to keep the plastic off the dirty rake. (You’ll need to use a bit of tape to hold it in place).

The paper mache.

Now make up some paper mache paste by mixing about a cup of white flour with enough water to make it the consistency of heavy cream. Then dip one side of a strip of newspaper into the bowl of paste, pull it against the side of the bowl to remove the excess, and paste it around your pipe.

Continue to paste strips onto the pipe until it is completely covered. I put only one layer on my didge, but you can add more if you want.

To be honest, you could make a perfectly nice painted didgeridoo without the paper mache, and just paint the plastic. However, I hate painting on plastic myself. And the paper mache adds just enough texture to make the finished instrument seem a little more life-like. Besides, this is a paper mache blog…

The mouthpiece.

While your paper mache layer is drying you can  make your mouthpiece.

The mouthpiece will form a tight seal around your mouth so you can blow a raspberry into the pipe and make your didge sing. For the mouthpiece you’ll need a rubber pipe connector. Be sure you buy a connector that fits your pipe.

Rubber Pipe Connector

Rubber Pipe Connector

The connector comes with two metal thingies that are meant to hold the rubber connector to a plastic pipe. Since they’re ugly, we won’t be using them.

You’ll need to use a box cutter to cut your connector in half. The knife is dangerous, so you must be careful with this step if you want to keep all your fingers. I found that it was easier to hold it if I slipped the connector over the end of a piece of scrap pipe. Draw a line in the middle of your connector, and then cut the two pieces apart.

Cutting the Connector

Cutting the Connector

Now, being even more careful, you’ll need to shape the cut edge so it fits around your mouth. After the mouthpiece fits snugly, use some sandpaper to smooth all the edges. Use your mask so you don’t get rubber dust in your lungs.

Shaping the Mouthpiece

Shaping the Mouthpiece

The rubber connectors are made slightly larger than the outside diameter of your pipe, but we won’t be using the metal things that plumbers use to tighten them together. To make a tighter fit, use some masking tape or plumber’s tape around the very top of your didge, putting it on over the dry layer of paper mache. Keep trying the mouthpiece on to see if the fit is tight enough. Then put your mouthpiece aside until after you’ve finished painting your new didgeridoo.

Adding Tape to Make the Mouthpiece Fit

Adding Tape to Make the Mouthpiece Fit

Adding the design.

Painted Paper Mache Didgeridoo

Painted Paper Mache Didgeridoo

Now all that’s left is to paint your didgeridoo.

Before painting your design, lightly sand your paper mache layer so it’s smooth, and then give it an undercoat of gesso or primer. Then draw your design onto the didge and start painting. I used acrylic paint for mine.

You can look up traditional designs online, or just make up your own design to fit your own personality.

I noticed that traditional designs often use stylized paintings of reptiles, and the didges are often broken up into several different sections, with each section a different color. I decided that I wanted to use this general idea, but without trying to directly copy from the traditional Australian designs.

The most well-known reptile in the dry part of our state is the rattlesnake. Then I chose a blue-tailed skink for the top section. I don’t actually know if we have these little lizards here in eastern Oregon, but there were lots of them in eastern Washington, where I grew up.

The skink is protected from the snake by a band of sage green.

I actually chose the skink because way back when I was a kid, I was a bit weird. (Still am, of course.) Like all weird kids, I got to spend a lot of time alone. One of the ways I liked to pass the time during the summers was to turn over rocks and look for these fast, shy creatures. Even though the blue-tailed skink has that iridescent blue tail, I think you could live in the Washington Scablands all your life without seeing one if you didn’t go out looking for them. Even when you are looking, they aren’t easy to find.

Since scorpions and rattlesnakes also hide under rocks, I’m not sure why I survived my childhood. Perhaps the gods do watch after fools.

Elephant Sculpture – The Movie

August 29th, 2009

I wanted to do something just a little different today, so I created a how-to video showing the baby Indian elephant coming to life, from beginning to end. This big baby used several of the techniques you’ve probably already seen in other tutorials on this site, but this baby is definitely the largest project I’ve done to date.

Even though she’s big, and I had to use a power saw to make the armature, Elsie wasn’t really the most difficult project I’ve done to date. She’s just the biggest. And uh-oh – I’ve now discovered that making big animals sculptures is kind of fun. Where on earth will I put the next one?

If you want to make your own baby Indian elephant, you can download the patterns here.

Elsie came inside last night, which I thought was prudent after the previous slug incident. I managed to get her gray coat on before I went to bed. When I woke up this morning there was a dead mosquito attached to poor Elsie, with it’s proboscis embedded in her new gray hide. Nature, tooth and claw, I guess—but you’d think a mosquito would have enough sense…

Enjoy.

Note: Scroll down to the bottom of this page to see an elephant that was made by one of my readers after watching this video. Good job, Kemberlee!

Oops, Elephant Needs a Bandaid…

August 27th, 2009

I was so excited this morning when I woke up.  This was the day that Elsie the Elephant would be finished.

But dang -  it looked like she’d come down with some rare disease during the night. In five or six spots on her legs and tummy perfectly round areas about the size of a quarter had been incised from her skin, leaving the lower layer of paper exposed.

Was it leprosy? Was she infected with a flesh-eating bacteria? Did my cat suddenly develop a taste for paste and paper?

Then, mystery solved. A shiny trail proved the culprit was a slug that had somehow managed to move his slimy self onto the deck, up the leg of the table, and then up the side of poor Elsie.

So now I’m waiting for her bandaids to dry before she can be finished. The slug incident, along with my recurring vision of my Australian shepherd lifting his leg and coloring her yellow, is making me rethink the idea of leaving her outside. She may take up residence in my living room. I may need a bigger house.

Speaking of which, in a previous post I talked about ideas I’ve had about creating an affordable artists’ community, and a lot of readers chipped in with their ideas, from remaking the neighborhood where one reader currently lives, to taking over an RV park (my contribution), to building yurts or straw bale or earthbag homes in some idyllic setting. It all sounded like a nice, but impossible dream.

Then, just a few minutes before sitting down to write this post, I came across another option. I checked the real estate prices in one of the cities that have been hit hardest by the current financial meltdown, and discovered that some reasonably attractive houses are going for less than $10,000. And I thought my $75,000 house in eastern Oregon was cheap!

Artists who have found a way to make a living online might want to start considering places like Elkhart. It would be a way for us to contribute to the revitalization of an area just by living there. And with housing costs so cheap, think of all the free time you could spend doing fun projects instead of trying to make money. Sounds good to me. What do you think?

And tomorrow, you’ll get to see Elsie, I promise. No more slugs. Stay tuned.

Seattle’s Mystery Sculptor

August 26th, 2009

An anonymous artist left a rather elaborate multi-piece paper mache sculpture at Gas Works Park in Seattle last night.

Mystery Sculptures at Gas Works Park

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The newspaper sent me an email just a few minutes ago to see if I knew who the artist was – which I think is rather flattering. Unfortunately, I don’t know who created this piece, which:

…consists of several pieces: a full-size gold-plated man standing on the waterfront surrounded by what appear to be shells, some with the heads of people emerging from them.”Anew is gifted to the citizens of Seattle in the spirit of awakening,” the artist wrote in a plaque attached to the sculpture. “Each of us has shells to break through, parameters to look past and wills to exercise. Arise and stand and then start moving.”

As a P.S., the artist wrote, “If still here I will remove once the rains return.”

(See larger images of the work here, and read the full Seattle Times article here).

Unfortunately, you can’t give art to the people of Seattle without a permit, which our anonymous artist failed to do. Therefore, the work will be removed from the park on Thursday. So if you’re in the area and you want to see the work before it disappears, you’d better head down to Gas Works Park now.

I can’t imagine spending so much time to create a sculpture, or group of sculptures, and then just give them away without trying to get any credit for it. My ego is way too big for me to ever be that selfless. But it is a way to (very temporarily) get your work in front of the public without having to get permission from the dreaded “committee.”

I’m trying to figure out how the artist made the central gold figure. It looks like it may have been molded around a real person. Hmmm.

Now, I have a legal/philosophical question to put to you. If you followed that link to the slide show, you saw that the newspaper will sell you a print of their photo of the sculptures. I became aware of certain copyright issues having to do with photos of artwork when I lived in Portland. While I was there, the creator of Portlandia got himself in the news by insisting that no photographs or other images of his sculpture could be sold, even though the sculpture itself belonged to the city, because he owned the copyright of the original work. Which seems fair, although it did make a few people unhappy who wanted to put the image on T-shirts or whatever.

Now for my question. I realize that a group of sculptures that shows up mysteriously in a popular public park is news, and of course the work should be shown in the paper. But should the paper be allowed to sell those photos, since they cannot have obtained the copyright from the sculptor? In other words, should the newspaper be able to profit directly from an image of a piece of artwork  they had no hand in creating?  Or did the artist give up all right to his work the minute he placed it in the park? Thoughts?

An Artist’s View of the Health Insurance Debate

August 24th, 2009

Update, 9/27/09: If you support real health care reform, as I do, please take time to sign this petition and ask that the Senate pass the bill that passed Ted Kennedy’s senate committee.

I know this is supposed to be a blog about paper mache – but paper mache has been used traditionally to make political statements, so it’s really only a minor stretch to use a paper mache blog to express a political viewpoint, right?

edit 8/29/09 – I just found this video of Bill Moyers over at the Hullabaloo blog. Moyers says things so much better than I ever can, so I’m fitting the video into this post.

Lately as I work on my elephant (she’s almost done!) and all my other friendly critters, my work hasn’t felt particularly relevant to the issues that interest me the most. I do love animals, and I do love sculpting them, but I’m not just an artist playing around with paper mache. I’m also a citizen with an inside view of how the health care industry works, and for that reason I can see how much misinformation is being spread by that industry to prevent any meaningful reform.

Frankly, watching the current debate unfold is enough to make me sick.

Acme Insurance, Inc.

Acme Insurance, Inc.

I’m not a political cartoonist, so I’ll limit myself to this one little sketch of a health insurance executive dressed up in  Daddy Warbucks’ suit and Uncle Scrooge’s top hat, sitting in a pile of our money.

For the rest of this story, you’ll have to create your own images. I’m sure you’ll do a much better job than I ever could.

Picture this:

Picture a very long line of people, some sick, but most of them well, who are waiting patiently for the opportunity to hand their money over to Acme Insurance, Inc. They do this willingly because they believe it will protect them financially if they ever get sick.

A peon working for Acme stands at the front of this long line. He lets some of the people in, and sends some of them away, in accordance with a set of secret rules that say “this persons will be profitable, but this person will not.” Do the people in that line have any control over who is accepted? No.

Now picture another line of people. These are the ones who were accepted by Acme Insurance, Inc. They’ve paid their premiums for months or years, and now they have medical bills they need to pay. Another peon checks the rules. Some of the claims get paid, and some of them don’t. Do you, as a paying customer, have any control at all over which claims are paid and which are not? No.

Now picture all these people sitting at home, opening their mail. They’ve just been told that their premiums are going up and the benefits are going down. Do these people have any say at all about how much the company charges or what benefits they receive? Nope.

But if you don’t quite trust your insurance company to make all these decisions about your life and health and would like to have some say in how your health care dollars are spent, they scream “you’re a socialist” or “you’re a nazi”—or whatever term they think may scare your neighbors the most.

Nice system, isn’t it? That guy in my little sketch thinks so, and he’ll do almost anything to keep us from changing anything—because he and a handful of  his friends are making a bundle off the system, just as it is.

The real debate is not about health care – it’s about who controls the money we deposit towards future health care needs. It’s about who controls the money, us, the people, or a few owners and managers of the health care conglomerates who are required by their corporate charters to maximize profits for the benefits of their stockholders.

Us, or them.

They’ve been doing it so long that they believe they have a right to keep making all the rules for their own benefit. That’s why they believe the public should keep out of health care. It’s why the companies spend so much money (our money) on false claims about the dangers of government (that’s us) health care, and why they hire lobbyist who shower politicians with (our) money if they promise to keep the companies in power.

When I worked for a huge health insurance company myself, our company president rather ironically included in all his speeches a story about how the health insurance industry began. Health insurance, he said, was invented as a way for a community to spread the financial risk of illness, so the citizens in a community could make sure funds would be available so they could help each other in time of need.

Nice picture, isn’t it?

The problem is that our company president was not describing the way health insurance really works. He was describing an imaginary health care system in which the members of the community actually have some control over the money they put into the fund.

Did our company president really believe the nice little story he told so often? Not at all. That’s the last thing the company would want. Our company and every other health insurance company in America spends millions of dollars (of our money) to stop the spread of this type of “socialist” health care. They may use the “community” idea in their ads, but they’ll do anything to prevent true community control of the health care system.

What about keeping bureaucrats out of health care?

When they try to scare you by saying a bureaucrat will decide how much money a public option will cost and what services it will pay for, remember that’s when they’re talking about you. You, as a citizen of this country, would be given the opportunity to help decide what rules a government-run program would follow. Is that really all that scary?

Right now…

Right now, the insurance company decides who can participate and who can’t, and the rules they go by are a secret. You have no right to know what their underwriting rules are. If you’re denied coverage you may never know why, and you may not be allowed to appeal their decision. In fact, if you call a local insurance company and ask them if you would be accepted based on your current or past medical condition, the customer service person you talk to could get fired if she gives you an honest answer.

Right now, the company decides what is covered by their policies, and what is not. When the people pass a law requiring that all policies in their state cover certain conditions, the companies do everything they can to circumvent the law if it affects their profits. This has happened over and over again, and there is little any individual can do about it. But when it comes to decisions that could affect your life and health, they say “trust me.”

Right now, the company decides if a claim will be paid or not. They do not have to tell you or anyone else what percentage of their claims are processed incorrectly due to common errors or because their lawyers make a “mistake” when they interpret the laws your state has passed to regulate them. If you think your policy should cover a claim that was denied, you must call same people who denied it in the first place, and be willing to put up a fight. In many cases, fighting the insurance company if they really don’t want to pay your claims would cost you more money in legal fees than you could possibly afford.

Right now, if your application for coverage is accepted, the company gets to decide if any claims fall under their “pre-existing conditionexclusion. They can decide to not pay a claim based on their determination, even if you have never been diagnosed with that condition before. They can even cancel your coverage completely, because they were unaware of your unprofitable condition when they first accepted you.

Right now, the company can raise your premiums by as much as 22% or more, while also reducing the benefits that are covered in your policy. You, or your employer or your union can protest the change only by canceling the policy and purchasing a new policy from another company. But since every other company in your market has also raised their premiums and reduced their benefits,  the choices are somewhat limited. If you do switch, you may then be subject to brand-new exclusionary periods, during which you pay your premiums but can claim no benefits.

Right now, doctors and hospitals can charge different amounts to different people for the same services. It is extremely common for a provider to accept $100 from an insurance company or Medicare, while they charge $500 or more for the very same services if the bill is paid by an actual person.

When you need services from  an emergency room doctor, you have suddenly entered into the realm of the “under-insured.”

That’s because  providers who don’t sign a contract with your insurance company, (and emergency room doctors, anesthesiologists, and other some other specialists rarely do), will hold you responsible for everything left over after your insurance pays their percentage of a “usual and customary” amount determined by the insurance company. Believe it or not, you could end up with a bill for as much as $30,000 for one night in the emergency room, (this actually happened to a friend of mine), even if you have excellent coverage.

That’s why millions of insured people in this country are just one accident or sudden illness away from losing their homes and life savings. It only happens here, in America.

And all this assumes that you actually have insurance. Millions of people don’t, either because they can’t afford the premiums and don’t work for a company that offers a group policy, or because the companies won’t cover someone with their medical history.

When you hear someone telling a scary story about how awful it would be if “the government” takes over health care, stop and think for a moment. Remember—”we the people” are the government. If we pay a large chunk of our monthly income towards future health care costs, shouldn’t we have some say about how that money is spent?

So—here’s the bottom line in the current health care debate: Who do you want in charge of that huge pile of money? A corporate executive who’s paid millions of dollars a year to maximize his company’s profits—or you and your fellow citizens.

The only way we, the people, will ever have any control of that pile of cash is through a public option. The co-op idea is a sham, written by the insurance industry, and it must be rejected. I urge you to support the members of congress who have pledged to support the public option.

If you agree (or disagree) you can have your say in the comments section below. But please be nice. This is a family-friendly site. And if you’ve figured out an artistic way to present these arguments, I’d love to see what you’ve come up with.

My Next Paper Mache Project – What Should It Be?

August 23rd, 2009

I’m waiting for the second-to-last layer of paper mache to dry on my big baby elephant so I can attach the ears and add the final “skin” of paper towels. (Paper towels looked very skin-like on my other hairless animal, the flying pig.) While I wait I’m trying to decide what I should work on next, and I’m hoping you, my readers, will offer your opinions.

There are two projects I’m considering right now – one of them would take a long time to finish, while the other one could be done in a day or two. And I’m sure there are many projects I haven’t thought of yet, so feel free to chime in, even if your idea has nothing to do with the two things listed below. After all, that’s how we ended up with several of the more popular paper mache tutorials on this blog.

Idea #1: A paper mache didgeridoo. Several months ago I got it into my head that I needed a didgeridoo. In fact,  I actually made one. My original method was very time-consuming and somewhat difficult, but the shape was very organic and interesting. However, the sound was horrible and blowing on it made me dizzy.

I then did what I should have done before starting the project, and found out how to make a didgeridoo that actually sounds the way it’s supposed to. I don’t promise it will sound like this, but at least it shouldn’t sound like a farting elephant, like my first try.

So, does anyone out there have a burning need for a hand-made, hand-decorated didgeridoo of their very own? If not, I won’t bother, but if anyone thinks it would be fun, let me know. As I discovered a bit too late to save my first attempt, making one that actually works is easy, and only costs a few dollars.

Idea 2: This is the long-term project. I’ve been thinking about creating a book about weird and wonderful animals. Not made-up animals, like dragons, but real ones, like echidnas and other critters that astound us by their refusal to follow  the “rules”of proper animal design.

The book would be illustrated by photos of paper mache sculptures, and include interesting facts and stories about the animals. It would not be a book to show people how to make the sculptures, although it might be fun to add links to this site if anyone thinks they would like to make their own.

The purpose of the book, for me, would be to give me an opportunity to celebrate the wonderful variety of life forms that nature has blessed us with, and I hope that readers would learn a thing or two, as well.

Do you have a favorite weird animal that you think I should include in the book? If so, let me know in your comments below. Who knows – your favorite creature could end up in the book.

OK – now back to my elephant.

Paper Mache “Bronzed” Dog Portrait

August 20th, 2009

One of my readers just posted a fully detailed and illustrated blog post, telling how she used some of the techniques shown on this blog to create a fantastic “bronzed”  paper mache portrait of a friend’s dog.

In fact, she created a sculpture that is so lovable you wouldn’t be able to stop yourself from rubbing that his tummy.

Buddy, in real life.

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I’m going to be mean and not show you how the sculpture turned out  here my blog because I don’t want you to miss any part of her wonderful post.

She used the photo of Buddy shown here as her model.

She also photographed the entire project from start to finish. She even tells us about problems she encountered and how she fixed them. It’s an opportunity to see how a real artist takes on a new medium.

So head over to Xan’s Art Blog now, and see how her sculpture turned out. And be sure to leave a comment on her post to tell her what you think.